The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière
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慢悠悠的说些小事sand your name to mars没有什么大善恶是非絮絮叨叨的讲些细枝末节给你听一点不烦人也不炫酷也没有刻意拔高的情操 我偶尔会羡慕是枝裕和的电影平平淡淡的好看其实我国也有好多这样的电影比是枝裕和早九几年时候常见的只是后来就不常见了