在《58同城家政》里饰演男主中晚年阶段苏雷曼同样没给自己台词黑人巨茎和中国美女视频这些来自现实生活中的冷幽默让人很容易想到雅克·塔蒂但二者并不相同苏雷曼的特色是文化味镜头看似极简实则做了精巧的舞台设计空间感和对称性强化人物在环境中的位置他把极有限的成本用在刀刃上靠智慧补足 另个特色是当代性行为表演意味重他靠滑稽场面强调男主角——一位观察者——对环境的思考和疏离靠频繁的意象镜头交待祖国的状况(飞机仿佛炮火烟花犹似硝烟)看似松散的场景被背后的家国隐忧所贯穿流露出“吾乡归何处处处似吾乡”的世界性 当下我们所有人都生活在别处我微信地点是斯特灵在电影正中间苏雷曼只开口说自己是哪里人仿佛要告诉我们别处和此处都一样祖国被其永远铭记To begin where I am.
王国。新大陆😶:121.76.189.68
像极了我在法国时的生活环境竟有点怀念女主说“Every single of my ex’s now married! Men go out with me, we break up, and then they get married! And later they call me to thank me for teaching them what love is, and, and that I taught them to care and respect women! Why didn't they ask me to marry them? I would have said "No," but at least they could have asked!”笑哭