本身即是错误的契诃夫戏剧自我的情绪本位通过强调凝视诱导观众进行视点回溯即声明一切所视所感皆为朝子的主观情绪是判断力、变奏的主导电影人生大事甚至是物候变化的潜在内因麦与亮平即是朝子情绪分化的灵与肉相互对立、替代、交换主导权反而觉得朝子与麦的情感才是幽魂状态311是一次明显变奏同样的情感建立触发时刻:自然力量的显露成为灵的打断现实的、切实的力量迫使灵魂回归肉身却也同样是臣服情绪的烟雾弹发掘文学作品过分情绪化的劣势氛围的清冷诡谲与绝对情绪产生微妙异质继而转化为影像的优势滨口是太神奇的电影作者可怕的是这种作者在当下、在日本不止一个/虞社 with Hanna.
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In ancient days, men looked at stars and saw their heroes in the constellations. In modern times, we do much the same, but our heroes are epic men of flesh and blood. For every human being who looks up at the moon in the nights to come will know that there is some corner of another world that is forever mankind.