Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.
因为ost才想看的电影~整个剧情都是日影一贯的波澜不惊一直到最后大原大声喊出那句:“LawrenceMerry Christmas Mr. Lawrence”~看得人瞬间泪崩小小羊提米动漫好像隐忍的情绪都在等这一刻发泄出来“Merry Christmas Mr. Lawrence”这首曲子简直是神作电影中这句台词出现两次两次都有催人泪下的效果